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Comments

  • Lazlo319 (guest) wrote on April 18, 1:09 pm

    1st! Awesome episode!

  • trey (guest) wrote on April 18, 1:10 pm

    2nd!nice episode

  • rooster.237 wrote on April 18, 1:13 pm

    3rd great mates

  • darkskill (guest) wrote on April 18, 1:24 pm

    $th :) cool

  • darkskill (guest) wrote in reply on April 18, 1:24 pm

    lol 4th

  • eric_beck wrote in reply on April 18, 8:55 pm

    oh yeah? well I got %th *sticks out tongue*

  • astalapitjes wrote on April 18, 1:35 pm

    i learned something again, thanks steve!
    again the beginning of a great weekend

  • deadbydawn wrote on April 18, 2:40 pm

    Great episode steve very informative.

  • willam88 wrote on April 18, 3:06 pm

    If you to Rosco's webpage, you can email them and ask them for a swatchbook of there gels and filters, it is free and it gives you a sample of what you may need and what they look like. So you don't have to spend a lot on gels and filters that you really don't need.

    One thing about the video, great episode, but why could you have made two months ago when I was in lighting class :)

    Here is the link for the Rosco webpage
    http://rosco.com/us/index.asp

  • ninjapiratemonkey wrote on April 18, 3:17 pm

    where can i get a genorator and is it costly?

  • CR-Videos.co.nr wrote on April 18, 4:17 pm

    visit www.cr-videos.co.nr

  • ATBStudios wrote on April 18, 4:57 pm

    cool episode

  • gtf144 wrote on April 18, 5:20 pm

    rip off from bfx

  • big_b (guest) wrote on April 18, 6:19 pm

    HEy Guys, a white balance card I beleive(For manual white balance) should be held next to the subject you want to film, ) put your camera where you will be using it from, and then zoom in on the card to fill the screen . if you just put the card up to the camera where ever, you're not going to be getting the correct settings. Great episode guys! Keep em coming! :)!
    ~B

  • tommy012345 wrote on April 18, 6:26 pm

    Yeah my thread got on 4 min film school!

  • IrishDevil wrote on April 18, 6:45 pm

    YOu forgot to mention that if you use a piece of paper for WB it should be held up near the actors face so the white is under that specific lighting. It does no good to WB to a color spectrum that isn't there.

  • skinnyninja wrote on April 18, 10:02 pm

    thanx this will helo me alot

  • SolarMoth wrote on April 19, 12:13 am

    Thank you so much for using my video!

    That's so awesome!!!

  • Rontowninc wrote on April 19, 1:38 am

    Awesome!! Thanks!

  • guest (guest) wrote on April 19, 7:38 am

    Best episode yet. Very informative. Its really necessary to go over some safety issues with operating lights. Hopefully will be included in part 2

  • biodegradable wrote on April 19, 12:07 pm

    Excellent DIY segment. My only concern is with the way the dimmer is finished by wrapping electrical tape around the whole assembly. My advice is spend a few dollars for a metal outlet box and wire clamps to make your dimmer a little more sturdy and safe. Keep up the good work!

  • Joe (guest) wrote on April 19, 7:41 pm

    Saves the Day Rules!

  • Joe (guest) wrote on April 19, 9:18 pm

    How do I make it look like im fliming at might with no other lights other than the sky

  • Sngamer (guest) wrote in reply on April 19, 10:09 pm

    The best way do make it seem you are filming at night is do do a digital color correction in post. Shoot on an overcast day, or before sunrise or after sunset, so there is even lighting and harsh shadows are reduced. Then bring the footage into an editing program like After Effects and mess with the color. Andrew Kramer has a great After Effects tutorial on day-to-night conversions on www.videocopilot.net. Check it out =)

  • Dingo-John wrote on April 20, 1:48 pm

    Why does the greenscreening in this episode suck?

  • datdude1988 wrote in reply on April 21, 5:21 pm

    Well think about it...

    Who's paying attention to the greenscreening when valuable advice is being administered? I didn't notice the bad greenscreening until there were 10 secs left. Why? Because I pay attention my child.

  • ZHelmer wrote on April 26, 5:38 pm

    there is one little thing about this you want to watch out for in terms of color correction. When using a gel to color correct a tungsten to daylight or vise versa you can not just use any orange or blue gel. There are party gels that simply change the color of the light which will not work for this. You will need to use what is called Full CTB for Tungsten to daylight and or Full CTO for Daylight to Tungsten. They are also known as plus or minus green gels. If looking to buy gels for color correction keep this in mind.

Advanced Lighting (Part One): 4 Minute Film School

The first installment of our 4 Minute Film School on advanced lighting covers all the theory you'll need to know to start getting a more professional look for your video projects. From gels and color temperature to diffusion and hotspots, you'll not only be better at lighting...but a better person after watching this episode.

Tags : filmmaking, indy mogul, lighting, independent, gels, diffusion

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